NOTES FROM A COACH
CHAPTER TWO

The Singing Moment

  • The Singing Moment
  • Creating a Play Session
  • Commitment to The Now
  • Chaos and Order

THE SINGING MOMENT: WHATS IN YOUR HEAD?

What's in your head when you are rehearsing or on stage or in the studio? For most of us fears and judgements keep us from experiencing anything like joy in the doing. But how do you get those voices to
stop?

How about replacing those useless tape loops with something helpfull: the situation that is in the song?

Drop yourself into the emotional story of the song and see what it brings up for you. Dare to get a little lost inside of it.. and you will find that it will lead you to some possible discoveries and surprises.. and that will keep you energized and able to get deeper into the whole experience·instead of scared and backed away.

If you find yourself in your head trying to direct or control things then your performance is in danger of being to "thinky". Get out of the way and let the song speak through you!!

To quote my pal Barry Harris' club hit DIVE IN THE POOL and see what happens! 

 

Creating a Play Session

The best time to work out / warm-up is when you don't have any other time pressures..say a Sunday morning..or mabye a Saturday night! The idea should be that it is a date with yourself to get open and loose and free..(mabye there is a bubble bath and a bottle of wine involved)! It should feel like a gift that you are giving to yourself, so that the tape loops of " why do I still have this stupid job I hate"..or "why don't I have a career yet" or "how the hell will I pull this show off" are as far backed away from your concioussness as possible and there is room to try new things and experiment without self judgement and fear.

Start with the exercises that you know work for you, then move into the challenging stuff once you are warmed up and always give yourself permission to be in experimental mode. Less pressure more fun should be the stated goal every time you go into a work session. Oops, lets rename that a PLAY SESSION!

 

Commitment to the Now

I find this to be a very powerful concept to bring to live performance. Investing deeply in the here and the now helps us get out of our head ad into action mode, ready to take the stage and take over the audience with the pure force of your commitment to the moment.

In a relationship with your audience that is based on being right here and right now in the same space together.

We are used to our singers on TV in videos or on our steroes at home or on the radio in the car, dissassociated from us and far away.

These days as live performance becomes a rare occurance to have someone really in the moment singing to us can be a very powerful and almost healing experience.

Certainly the emergence of a new artist is dependant upon their blowing folks away with their commitment to their relationship with the audience. Getting to the Now is hard cause were so scared of judgement and almost thinking about how were doing. But the excercise of truly choosing to be in the moment in the rest of our lives can help a great deal when it comes time to climb up in front of people. Doing an exercise like watching your thinking while you are out with people to see how much of the time you are sitting back in the safety of judgement rather than feeling available to the exchange will show you how willing you are to risk being in the moment with others. That will certainly communicate itself on stage.

 

Chaos and Order

Most of us spend our lives trying to make things work better. Get to work with less stress, fullfill our obligations with less drama and make things smoother and easier. In some ways the process of opening up your heart to sing goes against the natural tendency we have to create order in our lives. It's the messy dramatic feelings that move through us to effect an audience. Opening ourselves to the inner chaos of our feelings can be like the process of therapy where uncovering stuff makes us feel out of control and a little crazy for a little while at least until we can balance that emotional space with other self supporting energies.

This chaos factor one of the main reasons why singers (like other performers) sometimes experience their lives as a big struggle.That's the emotionally chaotic space we need to be in to make the art happen sometimes.

Eventually after years of inward examination you can learn to open yourself for the act of singing without causing all kinds of drama and chaos in your life for yourself.

Best to start that process of inward examination earlier rather than later as dependancy on drugs and other fake ways to get us feeling ok about ourselves and our life can take their toll on any career.

Any number of brilliant artists we can name have found their lives careening out of control because the basic foundation and balance has never been achieved.

Of course you don't have to be riding in a limo to be desperately unhappy and out of touch with your true self. You can be struggling in small clubs or working at in- the- meantime jobs that are unsatisfying and fall prey to the drama of feeling failed or hopeless.

That kind of chaos is almost always counter productive and tangles the energies inside and around us with our fear and chaos. We don't have to be in struggle to feel like we are working hard at our goals.A good life makes for a good artist

Order you heart so you can give into the chaos of your art when needed.

 
Studio Photos by Jennifer Alicia Grant / Live Photos by Dercum Over
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